12:00–14:30 – Open Rehearsal followed by Q&A
Watch and listen to Dark Inventions rehearse repertoire for the evening concert. Find out how an ensemble tackles this challenging music, with a chance to ask the players questions at 12:45.
16:45–17:45 – Roundtable discussion
A panel of composers and musicians share their thoughts on how this music is written and what we can get out of it as listeners.
18:00–19:00 – Hands-on with British music
Scores and resources related to British music will be on display for you to browse. There will also be the opportunity to provide feedback and comments on the day’s activities.
19:30–21:30 – Concert
Dark Inventions perform an eclectic programme of British music, including pieces explored during the day. Melody is seen in many forms in this exciting collection of works.
Court Studies from The Tempest (2005) – Thomas Adès – 8’Rat-race (2000) – Alison Kay – 6’Blue Green Hill (2012) – Judith Weir – 12’Dark Inventions (1992) – Philip Cashian – 15’INTERVALCimmerian Nocturne (1978-79) – Philip Grange – 16’Visiones – after Goya (2015) – Martin Suckling – 14’Backslap Boobytrap (2012) – Colin Riley – 8’
From Score to Sound is delivered in partnership with Dark Inventions and Sound and Music (the UK’s charity for new music), with music chosen from the British Music Collection. The Contemporary Music Research Centre at the University of York are facilitating the project through funding from the Arts and Humanities Research Council.